Mansfield’s stories are remarkable for their clarity of image, their stirrings of stream of consciousness, and the way in which they resonate with the work of Virginia Woolf.
Lottie and Kezia are moving away. Kezia is startled when she goes back into the house to get something. Aunt Beryl and the grandmother put Lottie, Kezia, and Isabel to bed together. The grandmother washes dishes and recalls Beryl being stung by red ants when they lived in Tasmania. The children play at being grown-ups. Kezia tells her cousin to “put head back on” the duck he has decapitated. They eat the duck for tea. The story ends with Beryl writing a letter to her ‘nan’ saying she is bored and false in the country. Kezia calls her to dinner and marvels that a jar of cream that flies off the dresser does not break.
Bertha Young’s consciousness unfolds over the course of a dinner party she throws with her husband Harry. She starts out filled with bliss, as though she had “swallowed” part of the afternoon – she plays with her baby and looks at “a tall, slender pear tree in fullest, richest bloom” in the garden. In attendance are the Knights, as well as the implicitly gay Eddie and the fascinating Pearl Fulton. She thinks Harry is rude to her, and hers is the only perspective we have as readers. She thinks again of the pear tree, which “would be silver in the light of poor dear Eddie’s moon.” Bertha tries to locate her interest in Pearl, which is at the fringes of desire, but ultimately realizes that she shares with Pearl an attraction to Harry. She realizes they are having an affair when she walks into the hallway and sees her husband take Pearl in his arms. She “laid her moonbeam fingers on his cheeks and smiled her sleepy smile.” As she leaves, Pearl mutters, “Your lovely pear tree!” “Bertha simply ran over to the long windows… But the pear tree was as lovely as ever and as full of flower and as still.”
“GARDEN PARTY,” 1922
The in medias res beginning of the story, “And after all the weather was ideal,” reminds me so much of Mrs. Dalloway. The similarities continue as we watch Laura and Jose Sheridan and their mother prepare for a garden party, which is nearly interrupted by a death (recall Clarissa!). The sensations of the house, where all the doors and windows feel open, and there are an abundance of fragrant cut lilies, also remind me of Mrs. Dalloway. When the Sheridans learn that a man from the cottages at the edge of the property has died, Laura wants to call off the party. Mrs. Sheridan considers this “extravagant.” She sends Laura to the cottages with leftovers afterwards. Laura is taken with the beauty of the young man, who seems to be peacefully sleeping. The story ends with her musing, “Isn’t life…” to which her brother says, “Isn’t it, darling?”
“AT THE BAY,” 1922
This story seems almost like the bits of The Waves that begin each section with a time of day and the sea. It is told in one day, like the structure of that novel (which imagines each stage of life as a time of day), and involves the same characters as “Prelude.” It begins with Stanley swimming in the sea, tracks Kezia, Isabel, and Lottie playing, Linda remembering, and Beryl fretting over growing old alone. It ends with a cloud floating across the moon, and then “All was still.” The way the story draws attention to the objective world is also like To the Lighthouse.